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Cake day: July 4th, 2023

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  • I still have my library of tracks from the mid 2000s on a drive in my PC. Hell, I still have my iPod Classic.

    That said, I spend 99% of my time streaming music.

    That said², I never ever engage with playlists. They only serve to poison the well that is my algorithm. I have a tightly curated Youtube video algorithm and, even though Youtube Music’s algorithm is dogshit compared to Spotify, I still protect it at all costs.

    You can still be an active listener on streaming services.

    I’m currently three quarters of the way through Decapitated’s Organic Hallucinosis record while I clean the house. For the last month straight I’ve been mainlining Steven Wilson’s solo records as well as Porcupine Tree records. Music is not dead for the active listeners in the world. The focus should be on encouraging kids to appreciate a good album every once in a while.
















  • Honestly, as a newbie to Linux I think the ratio of well documented processes vs. “draw the rest of the fucking owl” is too damn high.

    The rule seems to be that CLI familiarity is treated as though its self-evident. The exception is a ground-up documented process with no assumptions of end user knowledge.

    If that could be resolved I think it would make the Linux desktop much more appealing to wider demographics.

    That said, I’m proud to say that I’ve migrated my entire home studio over to linux and have not nuked my system yet. Yet… Fortunately I have backups set up.




  • We’ll agree to disagree I suppose. The alternatives don’t necessarily have to be FOSS either. A perfect example of a viable alternative to a predatory “industry standard” exists in the audio production world; REAPER.

    When I was in College, Pro Tools was the required software. Pro Tools at the time was a walled garden ecosystem, trapping anyone who sunk their hard earned cash into an environment rife with anti-consumer practices, hardware brand restrictions and invasive DRM.

    It cost me over $600 CAD at the time for a bundle containing a feature-limited copy of Pro Tools and a Digidesign MBox.

    Meanwhile, REAPER’s noncommercial license was $60. That $60 got you a full featured copy of the DAW with support for the next two full version upgrades (which turned out to be nearly a decade of updates). You could also use any hardware interfaces you desired without restriction.

    REAPER also has a free trial that is full-featured. No restrictions at all, even the trial length is unlimited. Why? Because they respect the consumer and trust that if you find value in the software you’ll support their work by paying for a copy. That purchase is one of the best I’ve ever made.

    In my experience, REAPER was equally as capable as Pro Tools or any other DAW on the market at the time. As of now I’d wager it’s the superior product.

    A world where consumers are respected currently exists, its just not in the hands of the corporate world. The best way to make a better future for everyone in the software world is to not put up with anti-consumer practices and engage with companies and developers that respect our time and hard earned cash instead of treating us like cattle.